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E. M. ForsterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It is the day of Mr. Fielding’s tea party. Mr. Fielding’s friendliness with Indians causes disharmony with the English ladies of Chandrapore: “The two wouldn’t combine” (66). Though he is not popular with the English, Mr. Fielding feels no regret for his kindness to Indians.
Dr. Aziz is the first to arrive. Mr. Fielding and Aziz establish an easy, trusting friendship. When Mr. Fielding announces that Mrs. Moore and Adela are coming, Aziz is briefly annoyed but soon finds “the English ladies easy to talk to” (71), so long as he forgets their gender. Adela asks for Aziz’s advice on the behavior of the Bhattacharyas, who failed to keep their plans with her and Mrs. Moore. Aziz reassures her that there was likely no offense meant, only that the Bhattacharyas are Hindu and therefore unreliable. On an impulse, Aziz invites Mrs. Moore and Adela to his house while secretly nervous about the poor state of his home. He begins admiring Mr. Fielding’s home and how mindfully Indian design and plants are curated there.
Professor Godbole, a musician and Brahmin, joins the party. Aziz begins reciting poetry and talks freely about Mogul emperors. Aziz asks Adela whether she will stay in India for mango season, to which Adela replies: “I’m afraid I can’t do that” (77). She is surprised at herself for having spoken so off-handedly and implying that she will not marry Ronny.
Reminded of his promise to entertain the ladies, Aziz offers to escort them to the Marabar Caves, though he has never visited them himself. Professor Godbole has visited them, and he finds it difficult to describe the experience with words. Ronny arrives to take the ladies to a polo match. He doesn’t acknowledge Aziz, who is offended and becomes provocative: “Everything he said had an impertinent flavour or jarred” (82).
Ronny complains to Mr. Fielding about Aziz’s influence on the ladies as Aziz professes his regret that Adela plans to leave India so soon, giving her decision away. As they are about to leave, Professor Godbole sings a Hindu song for the party and afterwards explains that it is an invocation to Krishna, Hindu god of protection, compassion, and love.
On the drive to the club, Adela reflects on how much Ronny’s character has changed since she knew him in England. His patronizing, rationalizing, and inexperience annoy her. “It was the qualified bray of the callow official” (86) that Ronny most often spoke with. When told of their plans to see the Marabar Caves with Aziz, Ronny first makes fun of Aziz, then forbids them from spending time with any Indian. Mrs. Moore asks to be dropped off at home; Ronny and Adela proceed to the polo match at the club.
Adela feels guilty for talking about leaving India and confronts Ronny with their need to talk things through. She explains that she has decided against marrying him. He is hurt by the news but behaves so well that Adela feels ashamed for hurting him. They promise to remain friends. They begin talking about a nearby bird, trying to guess its species, when the Nawab Bahadur offers to take them on a scenic drive to sate Adela’s notorious curiosity. They agree, though Adela finds herself suddenly disinterested. She realizes that there “had been a factitious element” (93) to her curiosity about India.
During their drive, they get into an accident with what is guessed to be an animal. Miss Derek, driving along the same road, offers a ride to Adela, Ronny, and the Nawab Bahadur, but not the servant, who is left alone with the damaged car. The adventure turns Adela’s emotions; by the time they return home, she tells Ronny that she’d like to marry him after all.
At home, they announce their engagement to Mrs. Moore, who immediately considers how quickly she can get back to England and her younger children. Ronny apologizes for his rashness and says the women can visit the caves and socialize with Indians if they wish. He leaves to look over his work files and the women play the card game Patience. They talk about the accident, and Adela asks Mrs. Moore why her first thought was that there had been a ghost.
Nawab Bahadur likewise believes a vengeful ghost was the cause of the accident. Aziz is consulted and replies that “Moslems simply must get rid of these superstitions, or India will never advance” (107).
Aziz feigns illness after being overworked. While in bed, he hears church bells outside and thinks of the religious multiplicity in Chandrapore, drawing strength from his own devotion to Islam. He considers how to ask Major Callendar for several days’ leave to visit Calcutta and the harems there. He directs his servant, Hassan, to get rid of the flies in his bedroom before returning to thoughts of women. Aziz is baffled by “the pedantry and fuss with which Europe tabulates the facts of sex” (110).
Aziz is visited by several friends who spread the rumor that Professor Godbole is sick, possibly with cholera. The threat of the approaching summer makes Aziz and his friends anxious. Dr. Panna Lal attends Godbole, whom Aziz dismisses as being Hindu and therefore incompetent. The men praise their Muslim religion, and Aziz recites poetry until Dr. Panna Lal arrives and he must resume acting sick. The doctor is accompanied by Mr. Ram Chand and given orders from Callendar to assess Aziz’s sickness.
Dr. Panna Lal sees that Aziz is pretending but goes along with the ruse in the hopes that he may someday pretend sick and have Aziz corroborate his story. They discover the rumor of cholera to be untrue and fall to bickering. This is broken by Mr. Fielding’s arrival, who has come to check on Aziz.
The men begin questioning Mr. Fielding, first about his atheistic tendencies and then his justification for the British occupation of India, since they consider there to be no moral or religious support for imperialism. Mr. Fielding says with honesty that the average man doesn't have an excuse for being in India.
The narrator gives an overview of Chandrapore’s society as the heat of summer begins its approach, emphasizing the inconsequential nature of humanity as compared with the vastness of the animal and natural worlds: “It matters so little to the majority of living beings what the minority, that calls itself human, desires or decides” (123). The pettiness and struggle for power exemplified in the characters of Chandrapore are made insignificant.
Summer, and its accompanying heat, fearfully anticipated by the locals. They play to migration to the cooler areas of the mountains and caves. The narrator concludes this descriptive overview by levelling the sun’s importance with the rest of humanity and nature, so that each entity is on a horizontal plane of importance.
Fielding is the last friend left in Aziz’s home. Aziz apologizes for the poor state of his home, then invites Fielding to look at the only picture he has of his late wife. Fielding becomes the first and only Englishman that has encountered the image of Aziz’s wife. Fielding is touched by this gesture of friendship, to which Aziz replies: “‘All men are my brothers, and as soon as one behaves as such he may see my wife’” (125). They discuss Mrs. Moore and Adela, whom Aziz considers won’t last long in India given the other English women he has known.
Aziz has trouble understanding why Fielding remains unmarried and childless; perpetuating one’s family name is essential to his culture. Fielding tells Aziz that Adela is now engaged to Ronny, which Aziz takes as a sign that he won’t have to entertain the women at the Marabar Caves. By remaining unmarried, Fielding believes that he has secured for himself a degree of freedom in his daily life, but Aziz is too deeply “rooted in society and Islam” (131) for him to ever fully renounce convention.
Before Fielding leaves, Aziz requests that he come to him if he ever needs help. Their friendship solidifies.
Fielding’s home at the Government College, with its lavish grounds and Indian style, represents the effort at assimilation that Fielding (and, potentially, Adela and Mrs. Moore) strives for. The College complex is obviously built upon Indian aesthetics, and the mango trees in the garden offer a distinctly native air to the grounds, “Yet there was no doubt to whom the room really belonged” (74). Whether or not the foundation of the complex is Indian is irrelevant; it is under English control. Indicative of the larger issues of independence and representation, Fielding’s home signifies the total domination of colonial English authority within the Indian subcontinent.
It is the land of India itself that is often blamed for not only the harsh characters of the Anglo-Indians, but also anything that is inexplicable, confusing, or uncomfortable. Mr. Fielding questions: “Could one have been so petty on a Scotch moor or an Italian alp?” (83). This implies that Fielding, as the most anti-racist character in the novel, cannot escape fully from the psychological implications of colonialism. The Scottish and Italian countryside he mentions are abstractly and randomly selected to represent a more emotionally tepid existence. By contrast, India ignites pettiness, emotional outbursts, and drama.
This idea is brought up again by the narrator as Adela and Ronny watch a strange, unidentifiable bird: “But nothing in India is identifiable, the mere asking of a question causes it to disappear or to merge in something else” (91). The land is personified as a mystical, spiritual, and tricksome entity, resolved to confuse foreigners, leaving them in eternal misunderstanding. However, because these descriptions are rendered within the perspectives of colonialist characters, the equation between place and temperament can be seen as an extension of the chauvinist English worldview. In other words, it is not the land that is hostile to the English, but the English who are hostile to the land.
Aziz’s feelings about colonial authority are conflicted. He resents being treated as invisible by the Anglo-Indians yet vies to behave in a Westernized manner. He speaks depreciatingly of India as a country: “’We Moslems simply must get rid of these superstitions, or India will never advance” (107) and “We can’t keep engagements, we can’t keep trains” (122). Aziz emphasizes the importance of progress, so that Indian society will be comparable to that of England and the rest of Europe however he doesn’t fully reckon with the implications of that desire. He is a colonized subject yet attempts to assume the behavior and ideals of the colonizer, taking for granted their value.
Adela is characterized as a caged animal as a result of her relationship with Ronny: “Unlike the green bird or the hairy animal, she was labelled now” (101). She feels humiliation at the prospect of marriage and resents the way marriage will make her unidentifiable, assimilated, and part of the hive mind of Anglo-India. This is reflected in the sudden evaporation of her curiosity about “real” India. With her engagement, those interests fall away, and Adela is forced to put up an act, another instance of following convention, only with Adela trying to pass as her usual self to meet the expectations of those around her. Above everything else depicted in Chandrapore, the need to match and perpetuate respective racial and social expectations is of primary importance.
By E. M. Forster